Gibson doppio manico11/27/2022 Though note, there is no pickup selector switch, this must be achieved via the volume controls. The mini toggles are series/parallel coil tap switches for each pickup, allowing quite a range of sounds. Each has a volume control, with one master tone. The two pickups set far away from the neck. Tonally, the Gibson SG-Z bass is a long way from the sixties EB basses - and probably much more useful in a modern day band setting. This example only has 20 frets, and it may be that the 20 fret boards are all rosewood? Gibson have always reserved the right to change specifications, and these woods are similar in appearance. The SG-Z is long scale, 34" with (perhaps?) a wenge rather than Gibson's more traditional rosewood fretboard. And although long scale EB3s have been available as far back as 1970, they are still traditionally thought of as short scale instruments. But the pickup placement and hardware are quite different to any EB bass preceding it. GIBSON DOPPIO MANICO SERIESThe style of SG body is more reminiscent of the 60s rather than 70s EB series basses, especially with the rich Cherry finish. Listed finishes were Heritage Cherry, Ebony and, Natural Oil. It was originally named the EB-Z as this Gibson Press Release from August 1998 confirms. By the 2001 catalogue, the specification had changed to rosewood. The original specification was for an all-mahogany long scale bass with a 21 fret wenge fingerboard. Both have the same 'Z' (assuming that is what it is) split diamond headstock inlays the guitar version is actually strung through the body, and has a similar Z-style tailplate. It was built at Gibson's Nashville plant alongside it's sibling the SGZ six-string guitar. It was only available for a brief time between 1998-2002, though it does not seem to have sold well, and was most likely produced only in small numbers. When launched it was the first new bass model for over a decade. The Gibson SG-Z bass is one of the least known 'new' Gibson basses. 1981 Victory Standard (Candy Apple Red).These were not widely distributed to US dealers, though odd examples did appear online. In 2006 a limited number of custom finish instruments were produced, intended for the Japanese market: Coral Pink, Canary Yellow, and as seen here Coral Blue (though often referred to as Caribbean blue). It is no surprise that the bass sold well. These were good basses close enough in look and feel to the original basses, though with more appropriate modern pickups and controls. It had similar (looking) pickups to the original 1960s EB3, in the standard neck and bridge positions, and it very much looked the part with traditional Cherry, Black and White finishes. Like the 1960s EB basses, this was all mahogany with rosewood fretboard and pearloid dots, and perhaps most significantly, a short 30 1/2" scale something not seen since the final EB3s of 1979. Quando l’era McCarty terminò nel 1965, erano state gettate le basi di modelli classici che avrebbero portato in alto Gibson per il resto del secolo. Los Gatos, CA, United States (26) Reverb Bump. The SG Reissue bass was Gibson's first attempt at creating a new SG bass model since the relative flop of 1998's SG-Z bass. Gibson proseguì negli anni ’60 con due linee più audaci e moderne delle solid body: i modelli SG a doppia spalla mancante del ’61 e le Firebirds del ’63. 1978 Gibson EDS-1275 Double Neck - Don Felder, Jimmy Page, John McLaughlin.
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